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rchiuctw專家顧問
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Ferris Bueller's Day Off (movie 1986)
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There was a very good movie for those who feel upset and need some refreshment. It was announced in 1986 a long long time ago. But I still think it's a great movie and I cannot hold laughing, those who have not seen this movie before should take a look "Ferris Bueller's Day Off" is a 1986 American teen coming of age comedy film written and directed by John Hughes. The film follows high school senior Ferris Bueller (Matthew Broderick), who decides to skip school and spend the day in downtown Chicago. Accompanied by his girlfriend Sloane Peterson (Mia Sara) and his best friend Cameron Frye (Alan Ruck), he creatively avoids his school's Dean of Students Edward Rooney (Jeffrey Jones), his resentful sister Jeanie (Jennifer Grey), and his parents. During the film, Bueller frequently breaks the fourth wall by speaking directly to the camera to explain to the audience his techniques and thoughts. Hughes wrote the screenplay in less than a week and shot the film—on a budget of $5.8 million—over several months in late 1985. Featuring many famous Chicago landmarks including the then Sears Tower and the Art Institute of Chicago, the film was Hughes' love letter to the city: "I really wanted to capture as much of Chicago as I could. Not just in the architecture and landscape, but the spirit." Released by Paramount Pictures on June 11, 1986, Ferris Bueller's Day Off became one of the top grossing films of the year and was enthusiastically received by critics and audiences alike. |
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4樓2012-09-04 14:35:33
rchiuctw
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★ ★ ★ ★ ★
curton: 回帖置頂 2012-09-04 18:30:26
curton: 金幣+5, it is a good movie... 2012-09-04 18:30:42
curton: 回帖置頂 2012-09-04 18:30:26
curton: 金幣+5, it is a good movie... 2012-09-04 18:30:42
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Some funny parts extracted from the movie: Excerpt 1--In Ferris' room. He is pretending to be sick. MOTHER (JOYCE) (screams) TOM! TOM (breathless) What's the matter? JOYCE (worried) It's Ferris! TOM What's wrong? JOYCE (snaps) What's wrong? For Christ's sake! Look at him! 2 CLOSE-UP. FERRIS 2 An eighteen year-old boy. He's staring lifelessly at CAMERA. His mouth's open. His eyes are bugged-out. His tongue is fat and dry in his mouth. He's laying in bed, on his side. 3 INT. BOY'S BEDROOM 3 Ferris' parents, TOM and JOYCE BUELLER are standing at bedside. They're in their late forties, early fifties. Handsome, upper-middle class parents. They're both dressed for work. TOM Ferris? JOYCE He doesn't have a fever. But he says his stomach hurts and he's seeing spots. 4 CLOSE-UP. FERRIS 4 His lifeless eyes blink. 5 INT. BEDROOM. PARENTS 5 Tom bends down and touches Ferris' forehead. TOM What's the matter, Ferris? JOYCE Feel his hands. They're cold and clammy. Tom takes one of Ferris' hands. TOM (discreetly) Should you call the doctor? JOYCE (whispers) He doesn't want me to. TOM Why don't you want Mom to call the doctor? Ferris exhales loudly. He tries to speak but all he can manage is a choked gasp. TOM What? Ferris tries again. FERRIS (raspy) Don't make a fuss. I'm fine. I'll get up. He starts to get up. Joyce gently pushes him back down. FERRIS I have a test today. I have to take it. I want to get into a good college so I can have a fruitful life... JOYCE You're not going to school like this. (to Tom) Maybe I should call the office and tell them I won't be in. FERRIS I'm okay, Mom. I feel perfectly...Oh, God! He's gripped by a seizure. His body stiffens and he chokes. His older sister, JEANIE, walks into the room. She's dressed for school. She's cute and stuck-up. A major pill. JEAN Oh, fine. What's this? What's his problem? JOYCE He doesn't feel well. JEAN Yeah, right. Dry that one out and you can fertilize the lawn. TOM That's enough, Jeanie. JEANIE You're not falling for this, are you? Tell me you're not falling for this. FERRIS Is that Jeanie? I can't see that far. Jeanie? JEANIE Pucker up and squat, Ferris. JOYCE (annoyed) Thank you, Jeanie. Get to school. JEANIE (angry, defeated) You're really letting him stay home? I can't believe this. If I was bleeding out my eyes, you guys'd make me go to school. It's so unfair. FERRIS Please don't be upset with me, Jeanie. Be thankful that you're fit and have your health. Cherish it. JEANIE (to herself) Oh, I wanna puke. She glares at Ferris. Her eyes are mascara and vengence. She slips out of the room. FERRIS I'll be okay. I'll just sleep. Maybe I'll have an aspirin around noon. JOYCE (to Ferris) I'm showing houses to the family from California today but I'll be in the area. My office'll know where I am, if you need me. TOM I'll check it with you, too. FERRIS It's nice to know I have such loving, caring parents. You're both very special people. 6 CU. FERRIS 6 He acknowledges Tom with a pathetic flutter of his eyelids. 7 INT. BEDROOM. JOYCE 7 She strokes Ferris' hair. JOYCE I hope you feel better, pumpkin. She leans down and kisses his forehead. Tom pats his shoulder. TOM Get some rest. 8 CU. FERRIS 8 Ferris lets out a wheeze. His glassy eyes follow his parents to the door. JOYCE (OC) We love you, sweetie. TOM (OC) Call if you need us. They close the door. The lock clicks. Ferris' eyes shift from the door to CAMERA. A sly, little smile crawls across his lips. FERRIS They bought it. The MTV theme music ROARS IN. 9 CU. TV SCREEN 9 The TV at the foot of Ferris' bed. The MTV logo is playing. 10 INT. BEDROOM 10 Ferris yanks open the drapes. The pall of the sickroom disappears in the brilliant glow of morning sunlight. FERRIS Incredible! One of the worst performances of my career and they never doubted it for a second. (looks out the window) What a beautiful day! He turns from the window. FERRIS Parents always fall for the clammy hands. It's physical evidence of illness. It's a good, non-specific symptom. Parents are generally pretty hip to the fever scams. And to make them work you have to go a hundred and one, hundred and two. You get a nervous mother and you end up in a doctor's office and that's worse than school. He flips on his stereo and fills the room with the MTV broadcast. A NEW SONG begins. FERRIS Fake a stomach cramp and when you're doubled over, moaning and wailing, just lick your palms. It's a little stupid and childish but then so if high school. Right? He equalizes the sound a little. FERRIS This is my ninth sick day with semester. If I go for ten, I'm probably going to have to barf up a lung. So, I absolutely must make this one count. He exits into the hallway. 11 INT. BATHROOM 11 Ferris walks into the bathroom. It's littered with Jean's debris. He turns on the shower water. FERRIS I don't care if you're fifty five or seven, everybody needs a day off now and then. It's a beautiful day. How can I be expected to handle high school? He bends down OUT OF FRAME as he loses his briefs. He pops up. FERRIS I do actually have a test. That wasn't bullshit. He steps into the shower. Through the pebbled glass of the shower door we see Ferris' outline. FERRIS That I care about it was. 12 INT. BATHROOM. SHOWER STALL. 12 Inside the shower. Ferris' hair is standing straight up. It's moulded into a fin with shampoo. FERRIS It's on European socialism. I mean, really. What's the point? I'm not European. I don't plan to be European. So, who gives a shit if they're socialists? They could be fascist anarchists and it still wouldn't change the fact that I don't own a car. He turns the shower head around and uses it like a microphone. FERRIS (sings) WELL SHAKE IT UP, BABY, TWIST AND SHOUT... 13 INT. HALLWAY. LATER 13 Ferris comes out of the bathroom with a towel wrapped around his waist. He's drying his hair with another of a different color. FERRIS Not that I condone fascism. Or any "isms". "Isms", in my opinion are not good. A person should not believe in an "ism". He should believe in himself. John Lennon said it on his first solo album. "I don't believe in Beatles, I just believe in me." A good point there. Afterall, he was the Walrus. He opens a linen closet and tosses the towel in it. -------------------------------------------------------------------------------- Excerpt 2--Ferris and Cameron try to get Sloane out of school A stunningly beautiful girl, SLOANE PETERSON, is sitting at her desk in a history class. She's staring out the window as a tweedy MALE TEACHER delivers a dry, dusty lecture. TEACHER Roosevelt's health had seriously deteriorated by the time he met with Churchill and Stalin at Yalta. (sneezes) Pardon me. The classroom door opens and the school NURSE walks in. For a moment, the teacher thinks she's come in because she heard him sneeze. She crosses to him and whispers in his ear. SLOANE She, like the others, watches the nurse curiously. INT. CLASSROOM. TEACHER AND NURSE The teacher's face drops as he's delivered an obvious piece of disturbing news. He nods grimly to the Nurse. She looks at the kids. NURSE Sloane Peterson? SLOANE Sits up in her seat. NURSE She's a picture of compassion and understanding. NURSE May I see you outside for a moment? There's been an emergency. SLOANE A smile curls across her lips. As she gathers her books she looks to the GIRL next to her. SLOANE (whispers) Dead grandmother. 73 INT. HALLWAY 73 The Nurse is gently holding Sloane's hand. NURSE (nods solemnly) Dead grandmother. 74 CU. ROONEY 74 He has a suspicious look on his face. ROONEY Dead grandmother? INT. DEAN'S OFFICE Rooney's at his desk. His secretary is standing across from him. SECRETARY That's what Mr. Peterson said. I had Florence Sparrow notify Sloane. ROONEY Who's this girl's going with? SECRETARY It's so hard to tell. I see her alot with Ferris Bueller. Rooney smiles. His suspicions are confirmed. ROONEY Could you get me Mr. Peterson's daytime number? As the secretary starts out of the room, Rooney's phone rings. She stops and answers the desk phone. SECRETARY Edward Rooney's office. (pause) Yes. Can you hold? Thank you. She puts the call on hold. SECRETARY It's Mr. Peterson. Rooney is startled. He thinks for a beat then reaches for the phone. SECRETARY Do you still want his number? Rooney answers her with an annoyed look. She smiles and backs out. He punches the phone button. ROONEY Ed Rooney. MAN'S VOICE Ed? This is George Peterson. ROONEY How are you today, sir? MAN'S VOICE We've had a bit of bad luck this morning as you may have heard. Rooney rolls his eyes. It's so obvious it's not Mr. Peterson. ROONEY I heard. And, gosh, I'm all broken up. Huh? Oh, sure. I'd be happy to release Sloane. You produce a corpse and I'll release Sloane. I want to see this dead grandmother firsthand. The secretary stops cold in the doorway. She turns to Rooney in horror. He covers the phone. ROONEY (whispers) It's Ferris Bueller. Nervy litttle punk. I'm gonna set a trap and let his walk right into it! (to phone) That's right. Cart the stiff in and I'll turn over your daughter. It's school policy. Was this your mother? Rooney's other line rings. 75 INT. SECRETARY'S OFFICE 75 She steps out of Rooney's office and picks up the other line. SECRETARY Ed Rooney's office. Her jaw drops. SECRETARY Hold, please. She puts the call on hold and hangs up. She hurried into Rooney's office. 76 INT. DEAN'S OFFICE 76 Rooney's chewing out the person on the other line. ROONEY I'll tell you want, you don't like my policies, you can just come on down and smooch by big old ugly ass. You hear me? The secretary comes in. She's waving her arms furiously. Rooney tries to wave her away. He's angry. She stomps her foot. Rooney covers the phone. ROONEY What!? SECRETARY Ferris Bueller's on line two. CU. ROONEY'S FOOT It freezes in mid-tap. CU. ROONEY'S HAND The pencils falls from his fingers. CU. ROONEY'S FACE A mask of horror. He glances at the phone. CU. PHONE The second line light is flashing. CU. ROONEY He blinks, cocks his head, twitches. 77 INT. FERRIS' ROOM 77 He's zipping his pants, fastening his belt. The phone's cradled against his shoulder. He speaks in the same voice he used on his father. FERRIS Mr. Rooney? I'm sorry to disturb you at work but I was wondering if it would be possible for my sister to bring home any assignments from my classes that I may need. 78 INT. DEAN'S OFFICE. ROONEY 78 He's staring blankly ahead. FERRIS' VOICE Thank you, sir. He nods. CU. PHONE Rooney's finger gingerly presses the button on the waiting call. CU. ROONEY He winces as he returns to the first call. 79 INT. FERRIS' HOUSE. KITCHEN 79 Cameron's on the phone in the kitchen. He's doing a deep, phoney "father" voice. CAMERON You oughta be sorry for Christ's sake! A family member dies and you insult me. What's the matter with you, anyway? 80 INT. DEAN'S OFFICE. ROONEY 80 He apologies profusely to Cameron. He's perspiring, trembling. ROONEY I don't know. I thought you were someone else. You have to know, sir, that I would never deliberately insult you. I can't begin to tell you how embarrassed I am. CAMERON'S VOICE Pardon my French but you're an asshole! Rooney nods enthusiastically. ROONEY Absolutely! I most certainly am. 81 INT. KITCHEN 81 Cameron lays into Rooney. CAMERON This isn't over yet, buster. You just make sure my daughter's out in front of the school in ten minutes. Do you read me? ROONEY'S VOICE Loud and clear, Mr. Peterson. CAMERON Call me sir, goddamn it! ROONEY'S VOICE Sir. CAMERON That's better. Ferris strolls into the kitchen to catch the last of the conversation. Cameron covers the phone. CAMERON (to Ferris) I'm scared shitless, Ferris! What is Rooney guesses my voice! FERRIS Impossible. You're doing great. Cameron sighs and goes back to the phone. CAMERON (clears his throat) I don't have all day to bark at you so I'll make this short and sweet. Ferris gives Cameron an enthusiastic thumbs up. FERRIS (mouths) Great! Cameron smiles proudly. CAMERON I want my daughter out in front of the school in ten minutes. By herself. I don's want anyone around... Ferris smacks Cameron. He's said the wrong thing. He covers the phone. CAMERON What'd I do? FERRIS Out in front my herself? It's too suspicious! He'll think something's up, moron. Cover it. Cameron panics. He holds the phone out to Ferris. CAMERON You do it! Ferris waves his arms angrily. FERRIS Talk! Cameron takes a deep breath. He clears his throat and puts on his father's voice. CAMERON I changed my mind, fella. You be out in front with her! I wanna have a few words with you! Ferris slaps Cameron. The phone flies out of his hand. 82 CU. ROONEY 82 He winces as the phone hits the floor with a loud CLONK! We HEAR THE BOYS SCRAMBLING TO PICK UP THE PHONE, THEN CAMERON CLEARING HIS THROAT. CAMERON'S VOICE On second thought, I don't have time to talk to you. We'll get together soon and have lunch. We HEAR A SLAP AND THE CALL DISCONNECTS. 83 INT. FERRIS' KITCHEN 83 Cameron's rubbing the side of his head. CAMERON Why'd you hit me?! FERRIS Where's your brain?! CAMERON Why'd you hit me?! FERRIS Where's your brain?! CAMERON Why'd you hit me? FERRIS Where's your brain? CAMERON I asked you first. FERRIS How can we pick up Sloane if Rooney's going to be there with her?! CAMERON I said for her to be there alone and you freaked! FERRIS My, God, you're so stupid! (aside) I didn't hit you, I lightly slapped you. CAMERON You hit me. Look, don't ask me to participate in your crap if you don't like the way I do it! Ferris is incredulous at Cameron's stupidity. Cameron's anger is intensified by his embarrassment. CAMERON I was home, sick. You get me out of bed, being me over here, make me jeopardize my future, make me do a phoney phone call on a dean of students, a man who could squeeze my nuts into oblivion and then you deliberately hurt my feelings. FERRIS I didn't deliberately hurt your feelings. CAMERON Oh, really? FERRIS Yeah, really. Cameron glares at Ferris. CAMERON Hey, Ferris? Have a nice life. He turns and heads out of the room. Ferris sighs. FERRIS Cameron? CAMERON Stick it up your ass, Ferris. FERRIS Cameron, I'm sorry. I didn't mean to jam you. It was uncalled for. Cameron stops. CAMERON You're serious? He turns around. FERRIS Dead serious. Cameron smiles. He appreciates Ferris apology. CAMERON Thanks. FERRIS You did screw up through, right? Not that is was necessarily all you fault. Right? CAMERON (suspiciously) Why? FERRIS To fix this situation, I'm going to have to ask you for a small favor. Cameron's jaw drops. -------------------------------------------------------------------------------- Excerpt 3--Jeanie and a boy's conversation in the police station 186 INT. POLICE STATION. WAITING ROOM 186 Jeanie's sitting on a wooden bench with a WASTED TEENAGE BOY in a Triumph t-shirt, long hair, torn jeans, creepers, studs and chains. He's studying her. BOY Drugs? JEANIE No, thank you. I'm straight. BOY I meant, are you here for drugs? Jeanie stares at him. JEANIE Why are you here? BOY Drugs. JEANIE I don't know why I'm here. BOY Then why don't you go home? JEANIE Why don't you put your thumb up your butt? The boy stares at her. BOY You want to talk about your problem? JEANIE With you? Are you serious? BOY Yeah, I'm serious. JEANIE Blow yourself. Jeanie turns away. The boy crosses his legs. Jeanie looks back at him. JEANIE You really want to know what's wrong? The boy shrugs. JEANIE Alright. If you've got the time, I've got the troubles. In a nutshell, I hate my brother. How's that? BOY That's cool. Did you shoot him or something? JEANIE No, not yet. The boy nods. He understands the emotion. JEANIE I went home to confirm that the shithead was ditching school and a guy broke into the house and I called the cops and they picked me up for making a phoney phone call. BOY What do you care if your brother ditches school? Jeanie stares at the boy. JEANIE Why should he get to ditch school when everybody else has to go? BOY You could ditch. JEANIE I'd get caught. BOY So, you're pissed at him because he ditches and doesn't get caught? JEANIE Basically. The boy nods knowingly. BOY Then your problem is you. JEANIE Excuse me? BOY Excuse you. You oughta spend a little more time dealing with yourself and a little less time worrying about what your brother does. It's just an opinion. Jeanie stares angrily at him. Partly because he's so bold and partly because he's so right. BOY There's somebody you should talk to. Jeanie stares at him threateningly. JEANIE If you say Ferris Bueller, you lose a testicle. BOY You know him? CU. JEANIE'S HAND It curls into a fist. |
5樓2012-09-04 16:19:17
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6樓2012-09-04 19:53:53
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