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dxfdxfok木蟲(chóng)之王 (文壇精英)
菜
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[求助]
漢譯英求助
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通過(guò)文獻(xiàn)資料法、邏輯分析法對(duì)跑酷運(yùn)動(dòng)的發(fā)展簡(jiǎn)況、藝術(shù)化趨向、體育本質(zhì)、反體育話(huà)語(yǔ)及其體育化嘗試進(jìn)行了分析和解讀。研究發(fā)現(xiàn):“移動(dòng)的藝術(shù)”是跑酷運(yùn)動(dòng)目前被廣泛接受的定義;跑酷運(yùn)動(dòng)具有典型的體育特征;跑酷參與者因排斥體育的競(jìng)技性而反對(duì)為跑酷運(yùn)動(dòng)貼上體育的標(biāo)簽;跑酷運(yùn)動(dòng)在商業(yè)化、全球化訴求的推動(dòng)下,主動(dòng)進(jìn)行著體育化嘗試。依據(jù)埃利亞斯的構(gòu)型社會(huì)學(xué)理論,認(rèn)為跑酷運(yùn)動(dòng)的未來(lái)發(fā)展既受到內(nèi)部秉承的運(yùn)動(dòng)理念的影響,亦擺脫不了主流社會(huì)文化力量對(duì)其產(chǎn)生的強(qiáng)烈沖擊,在藝術(shù)與體育之間徘徊成為跑酷運(yùn)動(dòng)最主要的發(fā)展困惑。 有一些專(zhuān)業(yè)詞匯 跑酷:parkour 反體育話(huà)語(yǔ):anti-sports discourse 移動(dòng)的藝術(shù):Art du Deplacement(法語(yǔ)) 體育化:sportisation 構(gòu)型社會(huì)學(xué):figurational sociology |

版主 (文壇精英)

版主 (文壇精英)
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The Parkour development profiles, artistic trends, sports nature, anti-sports discourse and sportisation attempts were analyzed and interpreted by literature and logical analysis . Studies indicated that the widely accepted definition of Parkour is now "Art du Deplacement" which has typical sport characteristics . Parkour participants excluded sports label affixed Parkour due to their objection to the competitive nature of the sports .In commercialization and globalization demands ,Parkour initiated attempts for sportisation . Elias figurational sociology theory assumed that future development of Parkour are affected by internal uphold of sports concept and could not get rid of the strong impact generated by mainstream social and cultural forces. Hovering between art and sports became the key dilemma of Parkour development . 供參考。 |

榮譽(yù)版主 (文壇精英)
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專(zhuān)家經(jīng)驗(yàn): +518 |
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通過(guò)文獻(xiàn)資料法、邏輯分析法對(duì)跑酷運(yùn)動(dòng)的發(fā)展簡(jiǎn)況、藝術(shù)化趨向、體育本質(zhì)、反體育話(huà)語(yǔ)及其體育化嘗試進(jìn)行了分析和解讀。 With heritage data method and logical analysis, we try to achieve detailed analysis and expounding on the development, art trend, the essence of sports, anti-sports discourse and sportisation of the parkour. 研究發(fā)現(xiàn):“移動(dòng)的藝術(shù)”是跑酷運(yùn)動(dòng)目前被廣泛接受的定義; The research shows that “Art du Deplacement” is now well accepted for parkour, 跑酷運(yùn)動(dòng)具有典型的體育特征;跑酷參與者因排斥體育的競(jìng)技性而反對(duì)為跑酷運(yùn)動(dòng)貼上體育的標(biāo)簽; Although Parkour has typical characteristics of sports, but the Parkour participants oppose label affixed sports on Parkour due to rejection of the competitive nature of sports; 跑酷運(yùn)動(dòng)在商業(yè)化、全球化訴求的推動(dòng)下,主動(dòng)進(jìn)行著體育化嘗試。 Driving by commercialization and globalization demands, the Parkour itself has been taking initiative to sportisation. 依據(jù)埃利亞斯的構(gòu)型社會(huì)學(xué)理論,認(rèn)為跑酷運(yùn)動(dòng)的未來(lái)發(fā)展既受到內(nèi)部秉承的運(yùn)動(dòng)理念的影響,亦擺脫不了主流社會(huì)文化力量對(duì)其產(chǎn)生的強(qiáng)烈沖擊,在藝術(shù)與體育之間徘徊成為跑酷運(yùn)動(dòng)最主要的發(fā)展困惑。 According to the Elias's figurational sociology theory, result from the effect of its inherent concept of movement, and could not escape the mainstream culture shock, the hovering between art and sport become the most important developments confusion in Parkour’s future. |
木蟲(chóng)之王 (文壇精英)
菜

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